4a Magic Wand
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Take a look at the photo below (taken at the Luxor casino in Las Vegas). Because the photo contains so much sky, the camera has underexposed the statue, which looks almost like a silhouette. We could increase the brightness of the entire picture (preferably using the level control or the curves control) but this would lighten the sky which might then become a boring uniform white (try it if you like). Therefore we would like to lighten the statue without affecting the sky - a perfect case for using a selection.

One of the easiest selection tools to use is the magic wand tool (if you can't see it, it may be hidden under the selection tool ). This tool selects areas that have roughly the same colour. Look at the options for this tool:

bulletThe tolerance setting determines how similar the colours have to be - if the tolerance setting is low then the tool will only select colours that are almost exactly the same.
bulletIf the contiguous option is turned on then the tool will only select a contiguous area of similar colours while if the option is off then that colour will be selected anywhere in the picture, even if that means selecting several separate areas at once.
bulletAnti-aliasing ensures that the edge of the selection will be smooth, not jagged, but Paint Shop Pro 9 has a bug that causes the use of the magic wand tool to actually modify the picture along the edges of the selection IF THE ANTI-ALIAS OPTION IS TURNED ON- this shouldn't happen! Therefore I recommend that you always turn this option OFF.

You may be assuming that will be clicking on the statue with this tool in order to try to select it but it is actually better to try to select the sky for the sky has a very even colour and is therefore very easy to select with this tool. Once the sky is selected it will be easy to inverse the selection so that everything but the sky is selected.

First turn on 'contiguous' (so that we can be sure that we won't select the king's skirt by clicking the sky) hen turn off 'anti-alias', and finally set the tolerance to a small value such as 5. Now try clicking the sky - you will probably find that only a small part of the sky is selected (the edges of the selected area are marked by shimmering 'marching ants'). Then deselect with Ctrl-D or Selections > Select None, set the tolerance to a high value such as 140 (the maximum is 200) and click the sky again. Now you will probably find that in addition to the sky a part of the statue is also selected. Deselect again, set the tolerance to an intermediate value such as 70 and click the sky once more. Now you will probably be pleased by the result, except that only half the sky is selected because we chose to select a contiguous area and the sky in this picture is NOT contiguous - it is broken by the statue's cobra head-dress. To add to the existing selection, hold down the Shift key while you click the other half of the sky (notice the small + sign next to the pointer). Actually, if you look closely, you'll see there are a couple of other areas to be added to your sky selection, between the branches of the palm tree.

Once all the sky is selected you can invert the selection with Selections > Invert. Now only the statue and the palm tree are selected. Experiment with the curves control (Adjust > Brightness and Contrast > Curves) to lighten the statue, without overdoing it. Note that if all you want to do is lighten or darken the picture overall then using Adjust > Brightness and Contrast > Curves and dragging the centre of the curve up or down is equivalent to choosing Adjust > Brightness and Contrast > Gamma with red, green and blue linked together. You may also want to make the colours a little more intense by choosing Adjust > Hue and Saturation > Hue/Saturation/Lightness and then using the saturation slider (the 'saturation' of the colours is a measure of how intense they are). Save your work when you are finished.

We will return to the image in the 'layers' lesson and I will show you how to completely replace the sky with a new one!

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