4c Freehand Selection Tool
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The freehand selection tool is much more useful than the (standard) selection tool since it can be used to select the very complex shapes that we often find in photographs. Don't forget to set feathering and anti-aliasing before you use each tool, as explained in the Selections page (click 'Up' above). Before you use the freehand selection tools, it's a good idea to zoom in as much as you can while making sure that all the area you wish to select remains visible. This will help you make an accurate selection. Making an accurate selection with this tool can take a long time - but if you want to do a good job then you may not have much choice. The easiest way to zoom in is to point at the point you want to zoom in on then roll the mouse wheel slowly.

Pay great attention to choosing the best selection type when using the freehand selection tool:

bulletThe freehand selection type is easy to understand but difficult to use accurately. Just drag around the edge of the area you want to select - when you let go of the mouse a straight line back to the starting point will automatically finish your selection.
 
bulletThe point to point selection type is so easy to understand and use that I recommend you choose this selection type most of the time. See for yourself how this works by choosing it and then clicking a few points on the image. When you want to close the shape. You might think this would be a bad tool to use to select areas with curved ages but you can follow the curves fairly accurately as long as you are patient and willing to click, click, click frequently as you work your way along the curves.
 
bulletThe smart edge and edge seeker selection types uses the power of the computer to try to detect the edges of the shape you are trying to select. As with the point to point selection type just click, click, click you way around the shape you want to select. The closer together your click-points are the more accurate the selection will be. The difference between these selection types and the previous one is that Paint Shop Pro will not simply join your click-points with straight lines - the computer will attempt to detect the 'edge' between the click points. The difference between the smart edge and edge seeker selection types is that the smart edge type is designed to detect high contrast edges (that could be a high contrast of light or of colour) while the edge seeker tries to detect low contrast edges. Also, the smart edge type gives you a 'corridor' which you should enclose the edge in to give the computer some help finding the edge. Obviously, it is easier for the computer to detect a high contrast edge than a low contrast one. If you use the smart edge type on the dolphin you will probably find it does not work along the dolphin's head or under its belly for there is not enough contrast there between the dolphin and the water. Try this tool for yourself - you may like using this type but I usually prefer the point to point selection type myself.

Test your selection skills by using the point to point selection type with smoothing set to 5 and a feather size of 1 to select Sugar, the dolphin in the photo below. Ignore the hoop. If you ever click in the wrong place just press the delete key to delete the last click-point. Don't forget to double-click when you are ready to close the shape. Don't worry if your selection isn't very accurate - you can add to or subtract from the selection after your first rough selection is complete. To add to the selection, switch to the freehand selection type, then hold down the Shift key while you select the area to be added (look for the little '+' sign while you hold down the shift key). Complete the selection before you let go of the shift key. To subtract from the selection using the lasso tool, hold down the Ctrl key while you select the area to be subtracted (look for the '-' sign).

Now we want to put a copy of the selection into a new layer - there are two ways of doing this, so choose ONE of the following:

  1. Choose Selections > Promote Selection to Layer or just Ctrl-Shift-P - this will place a copy of the selection in a new layer.
  2. Copy the selection (Ctrl-C and then paste into a new layer with Ctrl-L. This will leave the 'marching ants' around the original selection - deselect with Ctrl-D to get rid of the marching ants.

Choose the move tool and drag the dolphin around to convince yourself that you really have made a copy of the dolphin image. Make sure the Layers palette is visible (press F8 if necessary) to confirm that the new dolphin image really is in a new layer - it will probably be called 'Promoted Selection' and it will be on top of the background image called Background or 'Raster 1'.

In the layers palette, make sure that the new layer is selected (click on the new layer if necessary) and then reverse the contents of that layer with Image > Mirror to make the new dolphin face left.

Then you can make the dolphin into a baby dolphin by choosing the raster deform tool - make sure you are in 'scale' mode and then use the right mouse button to drag a corner handle (if you use the left mouse button then there is a danger you will distort the shape of the dolphin). You can even rotate the baby dolphin if you want by dragging the end of the line that reaches our from the dolphin's central pivot point. Drag the baby dolphin to wherever you want it to be. If you're bothered by the piece of hoop that you can still see crossing the baby dolphin's body then do something about it! (Clone brush??)

Now that Sugar has some company you can save your picture as a jpeg.

If you'd like to visit Sugar, he lives in Sugar Key, one of the Florida Keys...

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