4d Quick Mask
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When you are working with the selection tools, you can easily get the impression that selections have hard edges i.e. every pixel is either inside the selection or out of it. But when you read about feathering and anti-aliasing you may have realized that this is not so - it is possible for some pixels to be 'partially selected' so that effects applied to the image are applied to these pixels only to a limited extent. The easiest way to learn about this is to use the Quick Mask feature - this gives you the added bonus that you can then use just about any tool to modify the selected area. For example, you can use the paintbrush tool or the airbrush to add to or subtract from the selection.

Look at the bottom of the toolbox. Up until now you have always worked in Standard Mode.  As you know, Standard Mode indicates the limit of the selection with a line of marching ants. Open any picture and select part of it using the rectangular marquee tool. Then switch to Quick Mask mode by clicking the icon in the bottom left corner of the image window (or choose Select>Toggle Quick Mask or type Shift+Q). You will notice that in Quick Mask mode the selection appears clear while the unselected area appears to be protected by areas of transparent red plastic

It's important to understand that while you are in Quick Mask mode you are only modifying the mask that is floating above the picture (though it is not strictly speaking a separate 'layer') - you are not modifying the underlying picture at all. For example, you might try to draw some colored lines onto the picture using the paintbrush but you will not succeed - all that will happen is that you extend the masked (protected, red) area if your chosen color was dark or you will extend the selection (the clear area) if your chosen color was light. As you see, the actual colors used do not matter in Quick Mask mode - all that matters is whether the current foreground color is light or dark. If the foreground color is white, as here: , then your brushstrokes will completely erase parts of the existing mask (assuming you have chosen a hard-edged brush). If the foreground color is black (you can switch the background and foreground colors by clicking the double-headed arrow in the above picture) then your brush strokes will apply a thoroughly impermeable mask that will completely protect that part of the picture from changes once you turn off quick mask mode. If the foreground color is neither white nor black then your brush strokes will apply a mask that is somewhat permeable - the lighter the color then the more 'permeable' will be the mask and the more these areas will be affected by changes you attempt to apply to the picture after returning to standard mode. Now, read this paragraph again - it's important!

To get some practice in Quick Mask mode, let's use the picture below. I took it in Thailand on a canoeing trip with students of the Hong Kong International School. The stilt house is occupied by a family that collects swallows' nests from the caves of this island. Swallows' nests, made from the birds' saliva, are an expensive delicacy in many Asian countries.

Although the picture is already pretty good (I took it myself, after all), we'll try to give it a surreal feel as in the photo below. We want to apply a strong affect to the top of the picture, gradually weakening towards the bottom. This is a perfect reason to use the Quick Mask mode.

Copy the picture to your folder, then open it and switch to Quick Mask Mode. We'll use the Gradient tool to create the mask. Before you use the tool, make sure that the color area shows that the foreground color is black and the background color is white as shown here: . If this is not the case then click the little black and white icon in the bottom left corner of the color area. Make sure also that the tool is set to 100% opacity. Now drag with the tool from the bottom of the picture to the top - holding down the Ctrl key while you do this will help to ensure that you drag vertically. In standard mode this would apply a gradient going from black to white but since we are in Quick Mask mode we are applying a mask that appears red at the bottom and clear at the top. This is what we want since the clear parts of the picture will be affected most by changes that we make after returning to standard mode.

Now return to Standard Mode so that we can apply the color effect. Notice that only the top part of the picture seems to be selected, according to the marching ants. But this is misleading - the marching ants cannot show the true nature of the mask so they just indicate which part of the picture is going to be affected most by modifications that we apply. I got the color effect as follows: First choose Layer>Colors>Colorize. If you slide the Hue control it won't have much effect on the sky because you cannot colorize areas that are very bright (like the sky) or very dark, so to successfully colorize the sky you will also need to darken it a bit with the lightness control. Now deselect the selection (Ctrl+Shift+A) and save your picture (full size).

You should get some more practice with the Quick Mask mode, so try changing the first picture below into the second (you don't need to add the word 'sample'). The picture shows a typical resident of San Francisco, California.

I did this in a similar way to the Thailand picture, but this time I switched the shape of the gradient tool to radial  to put a mask over his/her face before using Layer>Colors>Desaturate to take the saturation of the unmasked areas progressively down to zero. Save your work.

You might sometimes spend quite a long time in Quick Mask mode and may want to save your carefully prepared mask. In the GIMP, you can save a mask in the form of an 'alpha channel'. This is beyond the scope of this class however, so read about alpha channels in the help system if you want to know more.

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